Hilda can make friends with just about any creature, which is a good thing seeing as the valley where she and her mother lives offers frequent sightings of unusual beings. But not all creatures love Hilda back and one night she and her mother receive an eviction notice from an army of elves who don’t want them living in the valley anymore. Her mother thinks they should just move to the city, but Hilda wants to remain in the one place she has ever called home. So she sets off to try to work things out with the leaders of the elf community and at night she also catches glimpses of a mountain-sized giant.
While the first Hilda tale, Hildafolk, is quite small, with Hilda and the Midnight Giant Nobrow Press went large-scale (approx. 8.5 x 12 inches), which allows Pearson to utilize several different panel layouts from single panel pages to 17 panel pages. He even lets elements escape the panels altogether or lets panels overlap one another. Its both playful and purposeful and complements the story well.
Hilda is a spunky, brave, and resourceful girl. The look Pearson has designed for her is eye-catching with her blue hair, pointy nose, large eyes, big red boots, and stick figure legs, and the creatures she encounters are diverse and imaginative. With the story, I especially appreciate the way Hilda’s issue with the elves and the mystery of the giant tie together. The conclusion is sweet, unites with the theme of home and homeland, and mixes emotion and humor quite well. While the Hilda stories would be accessible and enjoyable for younger readers, Pearson’s thoughtful layout, engaging visuals, and imaginative characters will be attractive to just about anyone with an open mind. I can’t wait to read Hilda and the Bird Parade, the next in series, which I’ve heard is even better!